News
Who defines history? Sound & Vision is conducting provenance research into the Sticusa film collection
The projects awarded funding in the second round of the Colonial Collections Provenance Research Scheme are still in full swing. The Dutch Institute for Sound & Vision is conducting provenance research into three audiovisual works in its collection. The works were commissioned by the Foundation for Cultural Cooperation (Sticusa), an organisation that played a central role in cultural exchange between the Netherlands and Suriname, Aruba, Bonaire, Curaçao, Saba, Sint Maarten and Sint Eustatius between 1955 and 1991.
This provenance research focuses on three specific productions: Lanta Para Watapana (1974) and Mosaiko Kultural (1979) by Wilbert Tecla, and Buskando (1973) by René van Nie. The Dutch Institute for Sound & Vision manages this Sticusa film collection following a merger with, amongst others, the film archive of the Netherlands Government Information Service (RVD).
Provenance research with a colonial context
With financial support from the Colonial Collections Consortium, the Dutch Institute for Sound & Vision is investigating the provenance of three audiovisual works in its archive. The following questions are central to this research:
- How did the works actually come to be?
- In what socio-political context were the films made and watched?
- How have power dynamics, funding structures and editorial interference shaped the representation of Caribbean history?
- Who were involved in the commissions? And what was the role of the population in the Caribbean countries?
- In what ways is the colonial context reflected in the content of the films?
The urgency of provenance research
Heritage expert Dyonna Bennett conducted the research by combining various methods to paint a multi-layered and (theoretically) balanced picture, drawing on sources such as archival documents, film analysis and oral history. One of the aims was to uncover the complex and often contentious dynamics between the Dutch institutional frameworks and the emerging Caribbean audiovisual autonomy of the 1970s.
The urgency of this provenance research stems from the need for critical reflection on how power relations shape history. At a time when archives are striving for pluralism and inclusivity, it is essential to investigate who was involved in the commissions, what role the inhabitants of the Caribbean countries played, and how the colonial context is reflected in the content of the works. Many of the filmmakers and experts involved from that period are now elderly or, sadly, no longer with us, which makes it crucial to consult the key figures who are still with us. The Colonial Collections Consortium works with museums, research institutions and archives to gain new insights into this intertwined colonial history. We share expertise and research methods, and make funding available, so that collection-managing institutions – such as the Dutch Institute for Sound and Vision – can carry out in-depth research into the colonial connections within their collections.
Would you like to find out more about the role of archives in managing objects from a colonial context? The NIOD has developed digital research aids on this subject for the Colonial Collections Consortium. These research aids provide tools for researchers and members of the public who wish to gain a better understanding of colonial objects and their stories.
Indian chintz in the Zaan region
Provenance research blog #6 is out now!
Provenance research blog #5 is out now!
Provenance research blog #4 out now
Presenting the NIAS–NIOD–KITLV Fellows for 2025–2026
Netherlands to return looted Benin Bronzes to Nigeria
Objects from the Wereldmuseum Leiden collection to be returned to indigenous tribe in the US
Rotterdam becomes first Dutch city to restitute colonial objects
For second time cultural artefacts to be returned to Indonesia
Vacancy Project Officer Provenance Research Grants
First NIAS-NIOD-KITLV fellows to start in September
International Provenance Research Day
New scholarship programme strengthens collaboration in cultural heritage
Nuffic announces the launch of the Cultural Heritage scholarship programme. This initiative, funded by the Ministry of Foreign Affairs, is designed to empower young professionals from Indonesia, Nigeria, Sri Lanka, Suriname, and South Africa to enhance their knowledge of cultural heritage management.
Read more about the scholarship programmeCall for fellowships now open
Moving objects, Mobilising Culture in the Context of (De)colonization is funded by the Dutch Ministry of Education, Culture and Science, and intended for researchers from formerly colonised countries – including heritage practitioners, historians, archaeologists, social scientists, artists, journalists, and/or cultural activists – with an interest in (lost) collections or objects from those countries or regions that are kept in the Netherlands.
Read more about the Call for fellowshipsSynchronising colonial heritage: a linked data approach
Saber Diponegoro
NWO call now open
The expertise of researchers from countries of origin is crucial for the study of objects and collections from a colonial context present in Dutch museums. Partly as a result of these issues, a new call for proposals has now been developed within programme line 2 of the NWA (‘National Science Agenda’): ‘Research on collections with a colonial context’.
Read more about the NWO call now openSubsidy 2023-2025 granted
The Colonial Collections Consortium has been awarded a subsidy of 3.1 million euros. With this working budget, the Consortium will actively focus on collection accessibility, knowledge sharing and collaboration. This happens within the Consortium and in collaboration with museums, collection-managing institutions, the advisory committee, countries of origin, and other countries where similar collections are present.
Read more about the SubsidySri Lanka multi-year programme
Following the submission by Sri Lanka of its claim for the restitution of the six objects, the decision to return them was made by the Dutch Secretary of State for Culture and Media. In the context of this restitution, the Consortium is working on a long-term multi-year knowledge exchange program in collaboration with the National Museum in Colombo.
Read more about the Sri Lanka multi-year programme